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As the breakout horror hit crosses $300 million at the global box office, its art director set off a debate about just compensation for crew members.

People Inc., the home of Food & Wine and Southern Living, publishes more food content than anyone else. It’s pushing back against the bots with recipes from its culinary hub.

The company, which invested $50 billion in the artificial intelligence start-up this year, will let the team behind the film, “Artificial,” try to sell the project to another studi

Beloved by actors, he helped create “Cheers” and directed more than 1,000 episodes of hit shows like “Taxi,” “Friends” and “The Big Bang Theory.”

What do a Jalen Brunson look-alike contest, a buzzy catchphrase and a dancing robot outside Madison Square Garden have in common?

The publication is abandoning a planned rebranding after resolving a trademark dispute with the new publisher of The Washington Star.

The deal will put online publications like Popsugar and Eater under the same roof as Rolling Stone and Variety.

“Backrooms” and “Obsession,” two breakout horror films from first-time directors in their 20s, have arguably redefined what a summer blockbuster can be.

Members of a new team of Times reporters and editors are covering culture, economics and more in a state long known for its political clout.

Steven Spielberg’s original science-fiction movie collected an estimated $44 million in North America, giving the director his first new-to-the-screen summer hit in 24 years.

Peter Gallagher’s spin on a comic strip staple has found a passionate audience away from the funny pages.

A U.F.C. fight on President Trump’s birthday will now double as a capstone for Paramount’s successful effort to secure Justice Department approval for a mega media merger.

The F.B.I. director, following a strategy from President Trump, has filed six defamation lawsuits against news media companies and commentators in nearly seven years.

The veteran journalist told viewers on Friday that it would be his last time anchoring the newscast, but that he was assuming a new role covering the disease he’s fighting.

No longer content with being just “Hollywood North,” the Canadian screen industry is asserting itself and telling its own stories.